4,775 Royalty-Free Audio Tracks for "In C"

The range of notes from my family piano after years of not being tuned.

Made using tweaked samples and uvi falcon. All notes are hit in c, different octaves.

Neapolitan sixth in C minor.

Chord progression with a borrowed chord second to last: iv or Fm in C major.

First 4 measures of the third movememt of Ludwig van Beethoven's Piano Sonata No. 8 in C minor (Pathétique), Op. 13.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: yamaha cs-30lpatch name (pack): pulse 0note: c1midi note: 24.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: yamaha cs-30lpatch name (pack): pulse 5note: c1midi note: 24.

Registro sonoro # 1 con el equipo mas-uan en el mirador de la universidad antonio nariño sede circunvalar (bogotá - colombia). Realizado el 7 de mayo de 2019 a las 7:00 pm. Sonidos capturados con una grabadora portatil zoom h2 por freddy guerra c.

*35 steps in 72 equal temperament on C. Equal-tempered: 235/72:1 = 583.33 cents. MIDI pitch bend: 85,58 Created in Sibelius with midi pitch bend on 91 for 584.375 cents rather than 583.345. New version a P4 on 85,90 for 583.3251953125 cents rather than 583.345.

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

*1 step in 72 equal temperament on C. Equal-tempered: 21/72:1 = 16.67 cents. MIDI pitch bend: 43,69 Created in Sibelius with midi pitch bend on 69 for 15.625 cents rather than 16.667. New version a PU on 43,69 for 16.6748046875 cents.

*256 tone = 1 step in 768-tet on C. Equal-tempered: 21/(6*128):1 = 1.56 cents cents. MIDI pitch bend: 64,32 on m2 The 1023rd subharmonic is 1.69 cents, and Sibelius's pitch bend commands are not fine enough to distinguish between these two intervals, as is human perception.

High gain guitar noise. (side pick swipe across all of the strings, muted across 2nd fret on guitar tuned in drop c. ).

Piano-accomplisment with left hand, to replace bass or use as intro. Be my guest to download and use it :).

Thirteenth chord CMA13(sharp11).

Courtyard drone rumble between apartment buildings. Washington, d. C. Stereo spaced em172s.

The dx-harp sound,made popular by ray lynch. Created with dexed-vst and audacity.

I made this effect for my song but i thought it would be nice to share it with you. C:.

A mouth harp (often referred to as a "jew's harp") tuned to c#. Recorded with a røde nt-2a.

Sampled a toy glockenspiel. C major scale. Each note runs for 2 bars set to 120bpm. Enjoy!.

Water glasses tuned to complete the chord structure of i v7 i in c major.

I've played the notes with an electric bass, the notes sequence are c, d and d#. Recorded with audacity and edited in adobe audition.

Drum and bass fx atmosphere dnb 170 bpm key c.

String Quartet no. 19 in C major, K. 465 (“Dissonance”) opening

Musical scale called "Ishartum" by Lou Harrison, often called the "Flamenco mode", in Pythagorean tuning on E, as follows: (by fifths) F-, C-, G-, D-, A, E, B (F♯+, C♯+, G♯+, and D♯+), or (in order) E (1/1), F- (256/243), G- (32/27), A (4/3), B (3/2), C- (128/81), D (16/9), E (2/1), with G♯+ being 81/64 and D#+ being 729/512. The final F- has an augmented sixth chord, B7b5/F (B D# F A), which resolves to a major chord that touches on the minor third.

A synth chord i placed in fl studio. C a f c. Using a saw square and pulse pwm wave for combo. Then put a sweeping band pass filter from top frequency to bottom frequency. Then i put a panner with the speed lfo sweeping from fast to slow. Next the right amount of reverb. Finally some copmression and normalizing. Using sound to reach out to angels.

*7 steps in 72 equal temperament on C. Equal-tempered: 27/72:1 = 116.67 cents. MIDI pitch bend: 43,69 Created in Sibelius with midi pitch bend on 69 for 115.625 cents rather than 116.669. New version a m2 on 42,69 for 116.650390625 cents rather than 116.669.

*4 steps in 72 equal temperament on C. Equal-tempered: 24/72:1 = 66.67 cents. MIDI pitch bend: 43,53 Created in Sibelius with midi pitch bend on 75 for 65.625 cents rather than 66.668. New version a PU on 42,85 for 66.6503906250 cents rather than 66.668.

*5 steps in 72 equal temperament on C. Equal-tempered: 25/72:1 = 83.33 cents. MIDI pitch bend: 85,58 Created in Sibelius with midi pitch bend on 91 for 84.375 cents rather than 83.335. New version a PU on 85,90 for 83.3251953125 cents rather than 83.335.

Oh! Susanna, a song written by Stephen Foster, first published on February 25, 1848. Popularly associated with the California Gold Rush. This version recorded by Henry Burr, Peerless Quartet, and Harry C. Browne, contains spoken dialog in the beginning and the infamous "aggressive racist" verse that is rarely sung today because of its content.

Horn of the mini countryman. Very long.

Recorded with volca fm and microbrute, processed with dod g10 rackmount, digitech rp80 and ableton.

Birds, wind, cars, the occasional train. Recorded with behringer c-2 into a mackie onyx blackbird.

Driving around on the highway and other roads in an manual transmission car with the windows down.